Not quite an Alina Somova yet
She has time, after all Sara is only 17.

She is not speedy .Compare acceleration with Alina Somova in 2003

Somova 17 near 18

http://www.youtube.com/watch?v=vzWL0RQzUzg

Spartacus reaches Spain



Russia’s Bolshoi Theatre has brought its legendary ballet “Spartacus” to Spain for the first time ever.

One of the key productions by the renowned choreographer Yuri Grigorovich had its premiere 41 years ago in Moscow, and has been a sellout ever since.

2009 FALL FOR DANCE FESTIVAL - NEW YORK CITY CENTER

Ballets Russes de Monte Carlo alumni Frederic Franklin, Raven Wilkinson and Eleanor D’Antuono; ABT Artist-in-Residence Alexei Ratmansky; and Morphoses/The Wheeldon Company Artistic Director Christopher Wheeldon will all be panelists in this year’s FREE DanceTalk series, three pre-performance discussions held before the Fall For Dance Festival performances at City Center, beginning on September 23. The series is free to the public.

NEW YORK CITY CENTER PRESENTS 2009 FALL FOR DANCE FESTIVAL

The series, in conjunction with this year’s Festival theme, will focus on creative collaborations during the Ballets Russes era and its influences on today’s artists.
NEW YORK CITY CENTER PRESENTS 2009 FALL FOR DANCE FESTIVAL

September 22 - October 3, 2009
Celebrating 100 Years of the Ballets Russes

14 Festival Debuts:
The Australian Ballet, Ballet West, Basil Twist, Batsheva Dance Company, DanceBrazil, Dendy Dancetheater, Diana Vishneva, Les Ballets Trockadero de Monte Carlo, Monica Bill Barnes & Company, Mark Morris Dance Group, Tangueros del Sur, Sang Jijia, and Savion Glover & The OtheRz.



BOSTON BALLET - Photos: Rosalie O’Connor

Highlights include
•Ballet West’s heralded production of Nijinska’s Les Biches
•Puppeteer Basil Twist’s magical Petrushka Suite
•Batsheva Dance Company’s B/olero
•Savion Glover and The OtheRz presenting an homage to John Coltrane
•Stijn Celis’s Noces performed by Les Grands Ballets Canadiens de Montréal
•Debut of Argentinean company Tangueros del Sur, featuring Natalia Hills and Gabriel Misse

New York City Center’s acclaimed Fall for Dance Festival, running September 22 – October 3, 2009, will feature 20 companies in 10 nights of dance and will pay tribute to the 100th Anniversary of the Ballets Russes. The sixth annual Festival will once again offer all tickets for only $10. Tickets will go on sale Sunday, September 13 at 11:00 am.

The 2009 Festival features 20 American and international companies presenting an eclectic mix of contemporary styles alongside classic pieces, in five unique programs over 10 nights. For the first time all programs will be repeated twice to satisfy the demand for tickets. Several companies will present works that pay tribute to the legendary Ballets Russes, either with reconstructions of original Ballets Russes works or with a contemporary look at Ballets Russes classics.

“We are honored to include a tribute to the Ballets Russes and its extraordinary legacy in this year’s Fall for Dance Festival,” said Arlene Shuler. “Since one of the goals of the Festival is to introduce a new generation to dance, it is fitting that we will celebrate one of the most important eras in dance history. We are equally delighted that for the sixth consecutive year, we are able to present a rich array of dance companies for only $10 a ticket.”

As in past years, the 2009 Festival will feature a wide range of dance styles and traditions, ranging from classical ballet and tap to Capoeira and tango. Thirteen companies will make their Festival debuts: The Australian Ballet, Ballet West, Basil Twist, Batsheva Dance Company, DanceBrazil, Dendy Dancetheater, Diana Vishneva, Les Ballets Trockadero de Monte Carlo, Mark Morris Dance Group, Monica Bill Barnes & Company, Tangueros del Sur, Sang Jijia and Savion Glover & The OtheRz. The Festival welcomes back Boston Ballet, Les Grands Ballets Canadiens de Montréal, Martha Graham Dance Company and New York City Ballet, and New York City Center resident companies Alvin Ailey American Dance Theater, Morphoses/The Wheeldon Company and Paul Taylor Dance Company.

City Center’s Fall for Dance Festival has received national and international recognition for its quality, innovation and success in introducing new and younger audiences to the world of dance. The Festival has presented 133 different dance companies to more than 100,000 dance enthusiasts, all for the incredibly low price of $10 per ticket. Newcomers and ballet fans alike now look forward to the Festival as both an introduction to new artists and a welcome return to familiar and beloved companies.

New York City Center gratefully acknowledges the Fall for Dance Patrons Committee and the continued support of Time Warner, which has been a major sponsor of the Festival since its inception. “As a global media company, we believe the arts enrich our lives and should be accessible to everyone,” said Lisa M. Quiroz, Senior Vice President of Corporate Responsibility at Time Warner. “Through Fall for Dance, City Center has put this goal center stage and has led the way in bringing gifted artists from around the world to audiences from across New York City. We are proud to continue our partnership.”

New York City Center also recognizes the extraordinary leadership support of The Andrew W. Mellon Foundation, which inaugurated a $10 million endowment campaign to ensure the future stability of the annual Fall for Dance Festival. Additional generous funding for the Fall for Dance Festival endowment has been received from The Peter Jay Sharp Foundation, The Rockefeller Brothers Fund, The Ford Foundation and an anonymous donor. Almost $5 million in commitments have been received to date.


THE AUSTRALIAN BALLET - Photo Jim McFarlane

100 YEARS OF INFLUENCE: THE BALLETS RUSSES
From its legendary first performances in Paris in 1909, Russian impresario Sergei Diaghilev's Ballets Russes redefined ballet for the twentieth century. Diaghilev brought together dancers, choreographers, composers and artists trained and nurtured in the Russian tradition, who pushed boundaries; his company became a hotbed of modernist invention. Leon Bakst, George Balanchine, Claude Debussy, Michel Fokine, Leonid Massine, Bronislava Nijinska, Vaslav Nijinsky, Anna Pavlova, Pablo Picasso and Igor Stravinsky were key Ballets Russes artists who overturned many of the conventions of classical ballet and ushered in the era of modern dance. The Ballets Russes lasted a brief 20 years, disbanding after the death of Diaghilev, but between 1909 and 1929 it staged more than 50 innovative new works and revolutionized an entire art form.

The 2009 Festival includes seven companies presenting Ballets Russes classics or contemporary interpretations of these great works: The Australian Ballet’s presentation of Fokine’s Le Spectre de la Rose; Nijinska’s Les Biches by Ballet West; Petrushka Suite, puppeteer Basil Twist’s unique interpretation of Fokine’s and Stravinsky’s Petrouchka; Nijinsky’s Afternoon of a Faun, performed by Boston Ballet; Mark Dendy’s Afternoon of the Faunes, a re-imagining of Nijinsky’s Afternoon of a Faun; Fokine’s The Dying Swan, performed by Diana Vishneva, prima ballerina of the Mariinsky Theatre; Noces, and a contemporary response to Nijinska’s original Les Noces by choreographer Stijn Celis, and performed by Les Grands Ballets Canadiens de Montréal.

In honor of the 100th Anniversary of the Ballets Russes, New York City Center and The New York Public Library for the Performing Arts, Dorothy & Lewis B. Cullman Center, will exhibit portions of Diaghilev's Theater of Marvels: The Ballets Russes and Its Aftermath during this year’s Fall for Dance Festival at New York City Center. This exhibit can be seen at the New York Library for the Performing Arts from June 26 – September 12, 2009.

In other Ballets Russesrelated activities, Fall for Dance’s annual DanceTalk series will provide attendees with the opportunity to hear from dance experts about creative collaborations during the Ballets Russes era and influences this seminal period in dance has had on today’s artists. Three pre-performance panels, including a discussion with Frederick Franklin and Georgina Parkinson, will take place in the New York City Center studios before selected performances.

TEN NIGHTS, FIVE UNIQUE PROGRAMS
The Festival opens on Tuesday, September 22 (repeated Wednesday, September 23) with Boston Ballet’s performance of Nijinsky’s Afternoon of a Faun (1912), the ballet created for the Ballets Russes that caused a sensation at its Paris premiere. City Center resident company Paul Taylor Dance Company will present Offenbach Overtures (1995), followed by Batsheva Dance Company, Ohad Naharin’s renowned Israeli company, making its Festival debut with Naharin’s interpretation of the Ravel classic, entitled B/olero (2008). The evening will come to a lively close with THE STaRz and STRiPes 4EVeR for NoW (2009), a group piece by Savion Glover & The OtheRz dedicated to John Coltrane.

Martha Graham Dance Company opens Program Two on Thursday, September 24 (repeated on Friday, September 25) with Diversion of Angels (1948), Graham’s romantic work performed to the music of Norman Dello Joio. Tangueros del Sur, a new company featuring world-renowned tango dancers Natalia Hills and Gabriel Misse, makes its debut with Romper el Piso (2008), in which dancers and musicians pay tribute to the art of tango. Morphoses/The Wheeldon Company, City Center’s guest resident company, will present Lightfoot León’s Softly As I Leave You (2009), reworked as a duet. The evening will close with Les Grands Ballets Canadiens de Montréal, returning to the Festival with Noces (2002), based on Nijinska’s Les Noces, choreographed for 24 dancers by Belgian choreographer Stijn Celis. (Note: there will be one additional company this evening, tba).

Program Three, on Saturday, September 26 (repeated Sunday afternoon, September 27) gets off to a poetic start with Petrushka Suite, renowned puppeteer Basil Twist’s 2001 response to Fokine’s ballet Petrouchka, set to a twopiano interpretation of Stravinsky’s score. New Yorkbased Monica Bill Barnes & Company follows with Barnes’ upbeat, contemporary piece, I feel like (2008), with music by Bach and James Brown. Les Ballets Trockadero de Monte Carlo make their Festival debut with the Balanchineinspired Go for Barocco (1974), and the evening concludes on a spirited note, with DanceBrazil’s Culture in Motion (2009), choreographed by DanceBrazil founder Jelon Vieira, using traditional Capoeira form.

Week Two begins with the fourth program on Wednesday, September 30 (repeated on Thursday, October 1) with two different looks at the Ballets Russes. Opening the evening will be Ballet West’s acclaimed production of Nijinska’s Les Biches (1924), for 19 dancers, with music by Poulenc. Choreographer Mark Dendy and his Dendy Dancetheater present Afternoon of the Faunes (from Dream Analysis, 1996), a re-interpretation of Nijinsky’s Afternoon of a Faun, followed by New York City Ballet’s quirky Herman Schmerman Pas de Deux (1992), choreographed by William Forsythe. Mark Morris Dance Group’s exhilarating Grand Duo (1993), choreographed by Morris for 14 dancers to the music of Lou Harrison, will end the evening.

The Australian Ballet, not seen in this country for over a decade, opens the final program of the Festival, on Friday, October 2 (repeated Saturday, October 3) with Fokine’s Le Spectre de la Rose (1911), with music by von Weber. Tibetan choreographer/dancer Sang Jijia performs his work, Snow (2008), a solo with music by Wim Mertens. Russian prima ballerina Diana Vishneva follows with her interpretation of Fokine’s classic, The Dying Swan (1905). The Festival comes to a close with New York City Center’s resident company, Alvin Ailey American Dance Theater, and its joyous signature piece, Revelations (1960).

Ellen Dennis serves as Producer and Wendy Perron as Artistic Advisor to the New York City Center Fall for Dance Festival.

FESTIVAL LOUNGE
Lounge FFD appears only once each year, during the Fall for Dance Festival at New York City Center. For each Fall for Dance performance, the public atrium between 55th and 56th Streets (immediately west of the theater’s main entrance) is transformed into a vibrant gathering place for audience members and artists. Featuring music by a rotating roster of NYC DJs, Lounge FFD offers Festival attendees, performers and neighborhood friends a place to relax and mingle, share a cocktail and have a snack, before and after the show as well as during intermission  while video monitors throughout the Lounge follow the action onstage.

Lounge FFD is open to the general public as well as to Festival artists and attendees. No tickets are required and everyone is welcome.

Lounge FFD 2009 DJ’s will include DJ Charles Gaskins (Hullabaloo), RekLES (Girls and Boys), DJ Lupe Loop, DJ Ultra V (Rockem Sockem), Captain Heartlock, Tom Ward (Nashville Ramblers), DJ Shakey (Warper), DJ Xerox, and Patrik Phalen. This year’s restaurant partners will include Osteria del Circo, Nocello, Le Bonne Soupe, Brasserie Cognac, Beacon, and Seppi’s.

FREE DANCE CLASSES
As in past years, the Festival will offer to both ticket buyers and the general public FREE dance lessons, held in Lounge FFD, beginning 90 minutes before curtain time. This year’s lessons include tap on Wednesday, September 23; tango on Friday, September 25; Capoeira on Sunday, September 27 and an Alvin Ailey American Dance Theater Revelations workshop on Saturday, October 3.

NEW YORK CITY CENTER has long been known and beloved by New York audiences not only as one of the City’s preeminent performing arts institutions but also as an accessible and welcoming venue for dance and theater. New York City Center produces the Tony-honored Encores! musical theater series, and is home to some of the country’s leading dance companies, including Alvin Ailey American Dance Theater, American Ballet Theatre, Paul Taylor Dance Company and Morphoses/The Wheeldon Company, as well as Manhattan Theatre Club, one of New York’s leading theater companies. Continuing to fulfill its mission to make the arts accessible to the broadest possible audience, in 2004, City Center launched the acclaimed Fall for Dance Festival. In 2006, City Center formed a partnership with London’s Sadler’s Wells Theatre to facilitate the exchange of innovative dance works. In 2007, City Center introduced the Encores! Summer Stars series with the critically acclaimed production of Gypsy, which was followed by the 2008 hit, Damn Yankees, and this summer’s production of The Wiz.

NEW YORK CITY CENTER FALL FOR DANCE FESTIVAL runs Wednesday, September 22 through Saturday, October 3, 2009 at New York City Center (West 55th Street between 6th and 7th Avenues). All performances are at 8 pm, except for the Sunday, September 27 performance, which is a
3 pm matinee. All tickets for the Fall for Dance Festival are $10 and go on sale on Sunday, September 13 at 11 am. Tickets can be purchased by calling CityTix® at 212-581-1212, online at http://www.nycitycenter.org or at the City Center Box Office, (West 55th Street between 6th and 7th Avenues).


DIANA VISHNEVA - Photos: Nina Alovert

Winston-Salem Woman Killed in Crash with Suspected Drunk Driver

Staff Writer

September 13, 2009



A 20-year-old Winston-Salem woman was killed Friday night after her car was rear-ended by a suspected drunk driver, the News & Observer reported.

Elena Bright Shapiro, a trainee with the Carolina Ballet and a graduate of the University of North Carolina School of the Arts, was driving about 20 mph when a car driven by Dr. Raymond Cook going about 80 mph hit her from behind, police said.

Cook, a plastic surgeon and assistant professor at UNC School of Medicine, was charged with felony death by motor vehicle and driving while impaired.

Doctor suspended after DWI charge, ballerina's death
Raymond Dwight Cook

Posted: Today at 5:07 p.m.
Updated: Today at 7:00 p.m.

Raleigh, N.C. — A Raleigh plastic surgeon has been suspended from his job at WakeMed after being charged with DWI in a crash that killed a ballerina, hospital officials said Sunday.

Dr. Raymond Dwight Cook, 40, of 10516 Beckridge Lane, was driving a Mercedes 90 mph in a 45 mph zone when he crashed into the back of a Hyundai driven by Elena Bright Shapiro, 20, according to police.

The wreck happened around 8:30 p.m. Friday at Lead Mine and Strickland roads.

Paramedics took Shapiro to WakeMed where she later died. Cook was also transported to the hospital for treatment of minor injuries.

He was charged with death by motor vehicle, DWI, failure to reduce speed and careless and reckless driving, authorities said. He was released from jail after posting a $50,000 secured bond.

“The entire WakeMed family would like to pass along their condolences to the family of Elena Shapiro. We are saddened that this tragic event has taken such a young and beautiful life. Dr. Cook has been suspended for the time being to allow for further investigation in the case," said WakeMed spokeswoman Heather Monackey.

Cook is employed by UNC and is contracted to practice with WakeMed, the hospital said.

'A true tragedy'

Shapiro, of Winston-Salem, was a trainee with the Carolina Ballet and had been dancing since she was 10, according to the group's Web site.

"She was a very young dancer. She had her whole life ahead of her. She had all the equipment to be a great dancer," said Robert Weiss, Carolina Ballet's artistic director. "We don't know what she would have done. That's the tragedy, that she never had a chance to find out what she could achieve."

The dancers still plan to perform Swan Lake this Thursday to open the season.

"In her memory, we're going to give these performances that she was going to be a part of," Weiss said. "It's a true tragedy, and there's no way to make it better, but what we do in our profession is we bring joy to a lot of people ... and we're going to go ahead and try to still do that."

Shapiro's funeral services will be held at noon Tuesday at Wake Forest University's Wake Chapel.

Claudia Dean wins world ballet prize

Tanya Westthorp | September 14th, 2009


Gold medal winner Claudia Dean during the finals of the
Genee International Ballet Competition in Singapore

GOLD Coast ballerina Claudia Dean was last night 'over the moon' after beating some of the world's best dancers to win a leading international ballet competition.

The 16-year-old, who is on her way to London after being accepted into the prestigious Royal Ballet School, burst on to the world stage after winning the Gold Medal at the Genee International Ballet Competition in Singapore on Saturday.

She beat 52 of the finest dancers from around the globe, with the Royal Academy of Dance event considered a platform for launching the careers of many young dancers.

Last night her Facebook page was full of congratulations, with Claudia telling friends she was 'on a massive high' after her win.

"OMG I am over the moon!! It's soooooooo crazy! I didn't even sleep last night!!!," she wrote to friend Olivia.

Friend Alina wrote 'you are an inspiration to many ... even people that have never in fact met you. good luck with your exciting future'.

Another friend, Wendy, wrote 'Just Brilliant Claudia! Busting with excitement for you! Wow, what a way to start your career. Your cheeks will be sore from smiling all day and night Enjoy all the celebrations. You so deserve it'.

Her Mudgeeraba-based dance teacher Prudence Bowen flew back from Singapore last night.

She compared the news to winning an Olympic gold medal.

"You never expect that," she said. "It's like winning at the Olympic games -- you can always hope, and we know she's very good, but so are a lot of other people."

Mrs Bowen said the judges had no trouble picking Claudia as the 'Golden Girl'.

"Not only did we win it, but the judges said they had no difficulty picking the golden girl -- she was the clear winner," she said.

"It's very exciting to bring it back to the Gold Coast."

She said Claudia would be missed by their small group.

"She's off so that was very emotional -- there's going to be a large hole," she said. "We'll have to try to adjust and she's promised to ring twice a week."

Claudia, who has been dancing since she was four, converted her dancing to a full-time career last year and has previously said she loved the challenge of dancing at the elite level.

"You learn to adapt to new things. It's a hard career, but it's really rewarding," she said.

"You can challenge yourself to do new things, and there's always hard work to do. I love the performing part of it, too. I love showing people how well I can dance."

Claudia's career has taken off in recent years after she was first offered a position at the Australian Ballet School as an interstate student when she was 11.

In 2008 she completed her 'Solo Seal', the highest level of achievement possible for the Royal Academy of Dance examinations.

Earlier this year she was one of only 15 dancers in the world to be accepted into the Royal Ballet School in London.

Stars of the 21st Century in Romania



Ni se promite o gală de balet la fel de spectaculoasă ca cea de la 21 februarie curent. "Stars of the 21st Century" revine pentru a doua oară în România, cu faimoşi dansatori de la opt prestigioase companii de profil din lume. Evenimentul se va desfăşura la 7 noiembrie pe scena Sălii Palatului, cu începere de la ora 19:30.

de Maria Sarbu
21/10/2009

Directorul artistic al Galei Internaţionale de Balet "Stars of the 21st Century", Nadia Veselova-Tencer din Canada, a gândit pentru Bucureşti un program nou, variat şi interesant, cu balet clasic, neoclasic şi contemporan. 13 dansatori de la companii cu renume mondial vor încânta publicul.

Dintre cei mai buni
Artiştii care vor evolua la 7 noiembrie sunt: Dmitri Gruzdyev şi Erina Takahashi de la English National Ballet; Anastasia Goryacheva şi Viacheslav Lopatin de la Bolshoi Ballet din Moscova; Alina Somova (foto) de la Mariinsky Ballet din St. Petersburg; Mikhail Kaniskin şi Elisa Carrillo Cabrera de la Berlin Opera Ballet; David Makhateli de la Royal Ballet, London; Jiri Bubenicek de la Dresden SemperOper Ballett; Otto Bubenicek de la Hamburg Ballet; Iana Salenko şi Marian Walter de la Berlin Opera Ballet; Joh Vallejo de la Scaena Carmen Roche, Madrid. Spectacolul va avea două părţi. În prima parte balerinii de la Bolshoi vor dansa "Flacăra Parisului" - pas de deux, cei de la Berlin Opera Ballet - "Not Any More". Cuplul de la English National Ballet vor aduce în faţa publicului "Giselle" - pas de deux, iar ruşii de la Sankt Petersburg "Corsarul" - pas de deux. Şi în partea a doua vor putea fi urmărite alte interesante momente, printre care "Manon" - pas de deux, "Silfida" - pas de deux, "Don Quijote" - pas de deux sau "Lebăda albă" - pas de deux.

Biletele pentru gală pot fi procurate de la casieria Sălii Palatului, Magazinul Muzica, de la librăriile Cărtureşti, magazinele Germanos, Vodafone şi Diverta, precum şi online de pe http://www.eventim.ro, http://www.ticketpoint.ro, http://www.bilete.ro, http://www.blt.ro. Sunt cinci categorii: I - 250 lei, II - 200 lei, III - 150 lei, IV - 100 lei şi V - 75 lei.

I attended the Bucharest Gala on Saturday evening. Unfortunately, Alina Somova wasn't present on stage. She was replaced by Olga Esina (and this unexpected replacement was only announced at the end of the performance). All in all, it was a beautiful gala (there weren't other changes in the cast), but for those - like me - who had been waiting for Alina, I would say it lacked that sparckle which would have made it unique.

Сан Франциско балет разместил новые видео клипы анонсов нового сезона и
ведущих артистов
http://www.sfballet.org/interact/meet/d ... lights.asp